present:

A Projection in the DDF, ANDNOW, Dallas, TX, until December 31st 2016 (link)

future:

Group Show, Lodos, Mexico City, opening December 8th, 2016 (link)

past:

Interview in Summer 2016 Mousse Magazine (link)

(LINK)

(dispatch), 2016

Soundtrack for Development (detail), 2016 [theme dispersed across a city cueing a thousand cameras]

(Voiceover), 2016 [press release adapted to annotated voiceover script]

Is this projection or is this anticipation?, 2016 [suspended DDF module]

Didactic Divergence Facility, 2016 [on ceiling, arbitrary configuration, infinite unique modular components]

a collectively indeterminate local concentration of global production taken to signify the unity of the present, 2015

(excerpt), 2016 [subject out of frame and out of time]

Civil Society and Interconnectedness, 2016 [video by Sophia Al Maria plays out of frame]

Popular Expression and Consensus, 2016 [video by Ahmet Öğüt plays out of frame]

Democracy and Development, 2016

Administrative work space of Centro de Arte, a Managua venue of X Bienal de Nicaragua

Chromed projector mount as element of exhibition design in International Currency, 2015

Thomas Shannon, Assistant Secretary, Department of State, Western Hemisphere Affairs, 2016

(LINK)

Prologue: Divergence Motor/Albatross Alarm, 2016 [a stoppage, a subscription, a prologue]

Transcript: (LINK)

(for projector), 2014 Installed over office and storage yet viewable from gallery.

Idle projector unacknowledged in exhibition materials of group show, 2014

(LINK)

Reviews: Flash Art Bad at Sports

(courtyard), 2013, 2014 [wall to wall for suspension]

Blueprints for dropped scripts, 2013, 2014

Indoor boule court, 2012, 2013

exhibition text for Under A Thawing Lake

exhibition text for Stowaways

exhibition text for International Currency

noahanthonybarker@gmail.com